Through producer Gary Usher, the Rovells were introduced to the Beach Boys' Brian Wilson, who agreed to produce the group. Rechristened the Honeys -- a nickname for female surfers -- they reeled off a series of outstanding Capitol singles including "Shoot the Curl," "Pray for Surf," and the Phil Spector homage "The One You Can't Have," none of which made any kind of commercial impact. A move to Warner Bros. preceded 1964's superb "He's a Doll"; on December 7 of that year, Brian Wilson and Marilyn Rovell were also married. Despite their continuing lack of chart success, the Honeys remained sought-after backing vocalists on sessions for the Beach Boys and Jan & Dean. During the mid-'60s, the trio also recorded as Ginger & the Snaps, although by the time of their 1969 swan song "Goodnight My Love" the Honeys name had been restored. When Blake left the group to pursue a solo career, Marilyn and Diane worked under the name American Spring, although the Honeys did eventually reunite for a disappointing comeback record, 1983's Ecstasy. ~ Jason Ankeny