He debuted in 1994 on Claude Young's Utensil label with a pair of 12" releases under his own name and an album, Unknown Black Shapes, as Population One. During the latter half of the decade, he issued another 12" for Utensil and a pair of 12" releases for Juan Atkins' Metroplex. In 1998, Andy Vaz launched his Düsseldorf-based Background imprint with Dixon's Bionic Man EP; the same year, Dixon co-wrote and co-produced three tracks for Atkins' Skynet album (credited to Atkins' Infiniti alias). After his second album, From the Far Future -- issued on Berlin's Tresor in 2000 -- Dixon was relatively quiet for several years. During the late part of the 2000s, he was extremely active with material on several European labels. In 2007, Vaz's Yore label released third album Train of Thought, and Dixon returned to Tresor for 2012's From the Far Future, Vol. 2. As Dixon grew, his work naturally became less raw and more sophisticated, but he never curtailed the immediacy of his earliest music. ~ Andy Kellman