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Lettie is an obsessive collector of postcardsand ephemera, second hand coats, memories, stories and people.
An avid film fanatic and video maker, Lettie listens to history tapes late into the nightwhen all is quiet because her journey starts well past closing time.

Lettie released two albums ‘Age of Solo’ and ‘Everyman’, without anypromotion in 2008. There were a numberof placements on television in the United States and Europe. Upon submitting tracks to the BBC, Lettie wasasked by Radio 2 and Dermot O’Leary to do a Maida Vale session for the“Electric Proms Introducing” and was the special guest of Peter Murphy(ex-Bauhaus) on his 27 date European tour (Oct – Nov 2009) selling all heralbums. She also appeared with Peter for several dates in the UK (Aug2010). She has been the special guest ofChris Difford (Squeeze) and Roger O’Donnell (The Cure) in 2011. She was featured in a BBC4 documentary ‘HelloGlastonbury’ in 2010. She has alsorecorded with Anthony Phillips (formerly of Genesis) for Universal Publishing.

In 2012 Lettie released 'Good Fortune, Bad Weather' again recordedand produced by David Baron which has been getting critical praise across the board.

Tipped as one of the bestalbums of 2012 by Mark Beech (December 2012) http://www.dantemag.com/2012/12/music-of-quality-and-distinction/



‘Tracks such as Bitter, Never Want to Be Alone, Pandora, Fitter,Crash and Burn and Come Back are terrific, snap-snap-snap pop songs. The issueof how come we’ve never heard of Lettie before has duly been solved’ Tony Clayton-Lea The Irish Times **** May 2012



Lettie, a U.K. singer-songwriter, is another one towatch. Her “Good Fortune, Bad Weather” is a strong collection of electro-pop,ranging from the bouncy “Lucky” to the gentle “Bitter.” Rating: ***Bloomberg August 2012



“Unsigned singer-songwriter Lettie crafts an excellentcollection of folk-dance pop with her debut album, offering a mix of electronicbeats, breathy vocals and an alternative vibe that makes her hard to classify.” *** MSN May 2012



‘Lighter hearted in sound thanthe likes of the sometimes icy-sounding Ladytron or Fever Ray, it’s bafflingwhy a major label hasn’t taken a chance on Lettie yet....’ ***** from Musicmuso.com April 2012



‘Lettie’ is bubblegum pop’scooler older sister and her latest album ‘Good Fortune, Bad Weather’ will makeyou want to know her better’ by Wang atgreenmanmusic.biz April 2012



‘Without the support of a majorlabel and with complete self-motivation and integrity, Lettie has crafted thisfully-fledge piece of artwork with a sound result exactly how she wanted it tobe’ Alix Blankson at Planetnotion.comApril 2012



‘Overall, it sounds like Lettiehas waited long enough and worked hard enough to deserve her own musicalsuccess, and from the quality of this album it seems like she has the talent toget it too.’ Sam SaundersPoppedculture.co.uk March 2012



‘Basically this one hell of analbum. Every song is strong, different from each other, original, inventive,charming, supremely catchy and above all extremely entertaining.’ richardadams-ramblings.blogspot.co.uk March2012



‘…Lettie ticks all the boxes andso many more on her third album, the world of pop has never sounded so inviting.’Rhythm & Booze Rating 9/10 March2012

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‘ Lettie! I just don’t knowreally! She’s enigmatic to me. I get drawn in by her sunbright rays thatare her songs, and once in there begin to realise that I’m being brought tostories that make me think about things that I should have been thinking aboutbut never thought about thinking about in that way- and all the while stilltapping my foot and humming that irresistible hook .ummm……..’ Peter Murphy, February 2012



'Lettie is a really fine musician : great lyrics, lovelymelodies. Neither too predictable nor too self-consciously arty. She has impressive eclectic taste yet remainsvery original. She would be appreciated by many if they could only hear her!’ AnthonyPhillips, February 2012



‘I love Lettie's music,her music always makes me smile and then think about why I am smiling. She isjust herself in her music, no pretension, just Lettie with a passion. I've beenlucky enough to work with Lettie and what she brought to my music was just asgiving. She is a precious English talent.’ RogerO’ Donnell, February 2012



‘If this evening hadbeen only allowed one artist, it has got to be Lettie…Lettie is exquisiteness& sheer brilliance…because of the hectic goings –on of this one girl youare hypnotized by witnessing the art. Thecrowd are held, speechless every time Lettie plays in this way.’ Miniminimovie.com April 2011



‘I have no idea why Lettie isnt huge by now…’ http://thisisjillianmusic.blogspot.com Jan2009



‘It is in Lettie’slive performances which set her apart from her contemporaries, with abreathtaking performance which has the audience on the edge of their seatshoping that Lettie achieves a masterful multi loop routine, which sheinevitably does, and allows the audience to breath a sigh of relief.’ Paul of Leeds Music Promotions Blog KeepMusic Live Feb 09



‘Lettie is analmost-solo artist … the resulting songs are tougher things than you mightimagine - excursions into pointed pop that steer clear of dreaded easy-listeningsinger-songwriter territory by virtue of their punch and attitude.’ O2 Review November 2009 Nemesis To Gohttp://www.nemesis.to/petermurphylive



‘Age of Solo, thefantastic 2008 debut disc from super-talented British chanteuse Lettie.’ ENTERTAINMENT WEEKLY'S'POP WATCH' December2008



‘Age Of Solo is acolourful, tight collection of songs full of sweet, naïve melodies, offset withglowing and lavish production...Letties songs are a masterclass in soulful,edgy avant-pop.’ *****Wears The TrousersOctober 2008



‘Lettie should reallybe signed to a major label on the strength of this album and we also think thather album cover is second only to Parralox....'Age of Solo' is lovely andperfect late night listening to a glass of wine.’ http://www.league-online.com/ November/ December 2008



“But the highlight isLondon-based singer-songwriter Lettie (myspace.com/lettiemusic) whoseelectro-pop ‘All You Want’ is as honey-sweet as you'll hear." The Guardian July 2007
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