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Private Mix
Stream Mix
William Blake
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      "Refugees/Run the seas/'Cause we own our own boats"--"Hips Don't Lie"
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      Constantin Brancusi, portrait of James Joyce, *Tales Told of Shem and Shaun. Three Fragments from Work in Progress* (Paris, The Black Sun Press, 1929)
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      Watercolour illustration to Young's *Night Thoughts*, Night the Fifth, pg. 44. I've mentioned this years ago in a note to this picture: again--the title of the book at the bottom of the stack=Aristotle's *De Respiratione* ("Aristot Respirat")--the indagator is perhaps in need of leaving the library for some fresh air. Blake did not, in his inscriptions on pictures, always cross his t's. The Plutarch is probably Daniel Wyttenbach's Oxford edition of the "Moralia"--*Plutarchi Chaeronensis Moralia*
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      One of the illustrations to John Milton's "On the Morning of Christ's Nativity/Compos'd 1629"
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      Just for grinnies, here's what the eevul Robert Cromek did with the (unfound) Fuseli drawing of The Death of Cleopatra, around 7 years after Mr. Blake engraved, in 1797, after the original drawing for Allen's *Roman History*. Cromek's engraving is in illustration of *Antony and Cleopatra*, and was done in 1804 for the 1805 Steevens-Chalmers edition of Shakespeare (for which Mr. Blake engraved after Fuseli in illustrations to *Romeo and Juliet* and *Henry VIII*). Robert Hartley Cromek after Henry Fuseli, engraving and etching, plate 157 x 94 mm, sheet 213 x 124 mm
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      Edward Calvert, "The Brook" London, June 29th, 1829. "THE WATERS OF THIS BROOK SHALL NEVER FAIL TO THE MARRIED WIFE OF THE LORD GOD."--wood engraving on paper, 53 x 91 mm
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      Edward Calvert, The Bacchante, first version. Wood engraving, 124 x 50 mm
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      Samuel Palmer, "The Lonely Tower," etching in illustration of John Milton's "Il Penseroso"
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