In 1985 Elfman met fledgling filmmaker Burton; after collaborating on the score to the hit Pee-Wee's Big Adventure, they reunited frequently in the years to come, with Elfman composing the music to later Burton projects including Beetlejuice, Edward Scissorhands, Mars Attacks! and the Grammy-winning Batman. In 1993, he also scored the Burton-produced Nightmare Before Christmas, dubbing the vocals of the animated musical's lead character Jack Skellington. Outside of Tim Burton's sphere of influence, Elfman also scored a number of other features in the '80s and '90s, most of them strange fables such as Darkman, Dick Tracy, Army of Darkness and The Frighteners. His 1997 scores for the drama Good Will Hunting and that summer's biggest box office hit, Men in Black, garnered his first Academy Award nominations. Among his television work was his Emmy-nominated theme for The Simpsons and Emmy-winning theme for Desperate Housewives.
In addition to his marriage to actress Bridget Fonda in 2003, the new century brought continued professional accolades, among them new Burton collaborations. Another Academy Award nomination resulted from his work on Burton's 2003 film Big Fish, and the two partnered for other projects including but not limited to 2005's The Corpse Bride and 2010's Alice in Wonderland. In the meantime, he released a symphony on Sony Classical in 2006 titled Serenada Schizophrana, and earned his fourth Academy Award nomination for Gus Van Sant's Milk in 2009. His steady workload also included 2012's Silver Linings Playbook, 2013's American Hustle, and 2015's genre-diverse Fifty Shades of Grey, Avengers: Age of Ultron, and Goosebumps. The 2016 sequel Alice Through the Looking Glass marked Elfman's 17th Tim Burton feature. That year also saw Sony Classical release his original music for the ballet Rabbit & Rogue, which had premiered at the Metropolitan Opera House in 2008, as well as his score for the film thriller The Girl on the Train. ~ Jason Ankeny & Marcy Donelson