Educated in private schools in Manhattan, she was already singled out as quite a beauty in early teens. By 15 and 16 she was helping to support the family by working as both a photographer and artist's model. It is said that the renowned poster painter/illustrator James Montgomery Flagg sketched her during this period. Although she could neither sing nor dance all that well, this stunning beauty was subsequently hired by impresario Florenz Ziegfeld Jr. to appear in his famous Follies. She was eventually given solo entrances in his extravaganzas (one was for the song "A Pretty Girl Is Like a Melody"), and also appeared as gorgeous window dressing in a few of his Follies' sideshows -- the Midnight Frolics and Nine O'Clock Revues -- all between the years 1918 and 1920. Billie also served as a dancing replacement in Ziegfeld's Broadway show "Sally," which headlined Marilyn Miller in 1921.

A burgeoning affair between Dove and Ziegfeld prompted Ziegfeld's wife Billie Burke to arrange work out West for the young starlet in Hollywood films. Making her featured debut in George M. Cohan's Get-Rich-Quick Wallingford (1921), based on the 1910 Broadway play, the cameras instantly fell in love with the beautiful newcomer. Immediately set to star in what was only her second picture, Billie appeared in the backstage romantic drama At the Stage Door (1921) the story of a chorus girl and her sister (also a chorine) who compete for the affections of a wealthy patron. From there Billie went on to appear opposite some of Hollywood's most popular leading men -- from glossy, dramatic stars such as John Gilbert and Warner Baxter to sturdy cowboy idols Tom Mix and Hoot Gibson -- and in several different genres. Billie also graced a number of pictures helmed by Irvin Willat, whom she married in 1923. These included All the Brothers Were Valiant (1923) co-starring Lon Chaney; the Zane Grey western Wanderer of the Wasteland (1924); The Air Mail (1925) with Baxter and Douglas Fairbanks; and The Ancient Highway (1925).

Top stardom came while swept up in the arms of the dashing Fairbanks as the starry-eyed princess who is rescued by The Black Pirate (1926) in the classic silent adventure. Billie was the first actress to receive a color screen test via this pirate yarn. Lovingly dubbed "The American Beauty" after appearing in the movie of the same title, The American Beauty (1927), in which she played a social-climbing hat check girl, Billie's acting talent was considered modest. Her better pictures were those opposite stronger male actors and/or directors. Pioneer female director Lois Weber fit the bill and brought out the best in Billie in two of her films -- The Marriage Clause (1926) with Francis X. Bushman and Sensation Seekers (1927).

Divorced from Willat in 1929, Billie was still at the peak of her popularity come the advent of sound. The great multi-millionaire eccentric and (at that time) budding producer Howard Hughes became an obsessed admirer, which resulted in an all-consuming three-year affair. Hughes, who tried to take over and control her career, actually proposed to the star and they were briefly engaged. She abruptly ended the relationship, however, when she was unable to handle his quirkiness and long, unexplained absences. For Hughes she appeared on screen in the dramatic The Age for Love (1931) and comedic Cock of the Air (1932).

In Blondie of the Follies (1932), the Marion Davies starrer, Dove was dismayed when her third-billed role was "trimmed" and "reshaped" at the urging of Davies' highly influential paramour William Randolph Hearst. This was to be her last film, retiring from the screen shortly thereafter. By 1933, she had remarried and focused on having a family. Married to Robert Kenaston, a rancher, oil executive and real estate investor, in 1933, they had one son (Robert Alan) and an adopted daughter (Gail). The couple divorced in 1970 after thirty-seven years of marriage (he died three years later). A third marriage to architect John Miller also ended in divorce.

Other than an unbilled bit part of a nurse in the movie Diamond Head (1962) with Charlton Heston, Dove never returned to the screen. She was eventually transferred from her Rancho Mirage (California) home to live out the rest of her life at the Motion Picture & Television Country House and Hospital in Woodland Hills. The nonagenarian died of pneumonia in 1997.