The two musicians -- both Alabama natives as well as childhood friends -- relocated to Athens after school and combined elements of folk, pop, and light electronica into their 2001 debut album. The next winter, Azure Ray issued the November EP on the Saddle Creek label, sparking a fruitful association with the label and its roster. The sophomore effort Burn and Shiver followed in 2002 and exuded a more serene soundscape, as well as slick production work from Crooked Fingers frontman Eric Bachmann. Fink and Taylor also began lending their help to other albums, from Moby's 18 to Bright Eyes' Lifted or the Story Is in the Soil, Keep Your Ear to the Ground. Meanwhile, they also served as members of Now It's Overhead, another Saddle Creek band.

A year later, Azure Ray continued their prolific pace by issuing Hold on Love. The album proved to be the duo's last release for seven years, though, and both musicians pursued solo careers in the interim. Maria Taylor put out three full-length albums and one collaborative EP (the latter recorded with her Saddle Creek friend Andy LeMaster), while Orenda Fink released a pair of solo albums, one digital EP, one album with her side project Art in Manila, and another with the short-lived pop duo O+S. Taylor and Fink returned their focus to Azure Ray in 2009, launching a brief tour that year before returning in 2010 with their fourth album, Drawing Down the Moon. In September of 2012, the band's fifth, more electronic-leaning offering As Above So Below arrived. ~ MacKenzie Wilson